Karate Vocabulary
Common
terms used in the
Shotokan Karate Dojo
Do (doe).
Literally means the way,
the path or the approach. Almost all words signifying Japanese arts
are attached to this word. It suggests that the art is the means and
the way for the ultimate perfection of human character.
Dojo: (dou-joe).
Originally it meant the
place or hall used for religious exercises. It is now used also for
halls (places) where the way of the marital arts (Budo) is
practiced.
Karate gi: (ka-ra-tay-gee)
A Karate uniform. Other
names used for it are dogi (uniform for the practice of the art) or
simply keikogi (practice uniform). White uniforms are generally worn
to symbolize 'purity' and 'cleanliness' of mind and body.
Obi: (o-bee).
A sash or belt to tie
Japanese kimono-type clothing. In the martial arts it may indicate
states in one's attainment of the art. There are ten grades or ranks
in kuro-obi. Other terms used with obi are:
-
Shiro-obi: white
belt, refers to a novice.
-
Iro-obi: color belt,
refers to a more experienced students.
-
Midori-obi: green
belt, generally worn by students with a 9 months to 20 months of
training.
-
Cha-obi: brown belt,
worn generally by students with over 20 months of training.
-
Kuro-obi: black belt,
refers to those who have mastered the basic techniques and
beyond.
Sensei: (sen-say)
Refers to a teacher.
Broadly speaking, it may apply to anyone who holds a position to
guide or instruct another, such as a teacher, doctor or lawyer.
Sempai: (sem-pie)
Refers to a senior person
in a school, fraternity or organization.
Seiretsu: (say-re-tsu)
A command to 'line up' in
an orderly fashion. A class lines up before and after the
instruction for mokuso and rei.
Seiza: (say-za)
A formal Japanese way of
sitting on the floor with one's knees bent. Seiza literally means to
'sit correctly' and requires that a person sit not rigidly but with
his back straight and alertness to training.
Yame (ya-may):
Return to starting
position (finish Meditation).
Counting in Japanese
-
One: ichi (i-chi)
-
Two: ni (ni)
-
Three: san (sa-n)
-
Four: shi (shi)
-
Five: go (go)
-
Six: roku (ro-ku)
-
Seven: shichi
(shi-chi)
-
Eight: hachi (ha-chi)
-
Nine: ku (ku)
-
Ten: ju (ju-u)
Tsuki (sue-ki)
Punching techniques.
Uchi (u-chi)
Striking techniques.
Ate (a-tae)
Smashing techniques of
the elbow and knee.
Geri (ger-ee)
Kicking techniques.
Target areas on standing
body.
-
Jodan (joe-dan)
includes face, neck, and head area.
-
Chudan (choo-dan)
includes the chest, side chest and back area but not the lower
trunk.
-
Gedan (gay-dan) is
the lower trunk area.
Rei: (ray).
A command used for 'bow'.
Bowing may be done standing or in a sitting position, before and
after the class, to the instructor or to each other to express
mutual respect, trust and appreciation.
Other expressions used
with Rei
-
Shomen-ni-Rei: bow to
the front
-
Sensei-ni-Rei: Bow to
the teacher
-
Otagai-ni-Rei: Bow to
each other
Shomen (show-men)
Shomen is usually the
front wall of the dojo where the altar is placed. One may find a
Shinto altar or simply a photograph of the founder of the school to
whom the class bows to express respect.
Hai (high)
Used primarily for
affirmation or consent as in 'yes' or "o.k.'. It is also used
to urge and give commands as in 'o.k., let's go!" or "o.k., now!'.
Kata
Formal movements of Karate, comprising all
basic techniques and stances necessary to attain rhythm and
coordination.
Kumite (koo-mee-tay)
Sparring.
Hajime (ha-ja-may).
Means the beginning or the start. As a command
it is "Begin!", "Start!" or "Go".
Naotte (na-o-tay).
A command to be 'at ease' or 'relax'.
Narande (na-ran-day).
A command to 'line up'.
Modotte (mou-dou-tay).
A command for returning to the original
position.
Yoi
Get ready.
Gedanbarai (Gay-dan-bar-ay)
The first command of the practice. This is
beginning position. (left front stance low block).
"Artless Art" * "Shu-ha-ri"
(SHU-learning from tradition, "HA" -- breaking
the chains of tradition, RI--transcendence) is an oft-expressed
concept as regards kata. Its implication is that the ultimate goal
lies in the totally free execution of kata, a freedom from all
restraints from the standardized movements, and the natural
execution of waza in sparring.
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